Look what just showed up today. That’s right 2 Kino Flo Celeb 400’s.

The Celeb 400 DMX LED is one of the largest LED soft lights available in the market today measuring 45″ x 14″
(114.5cm x 36cm). Similar in size to the award-winning 4ft 4Bank, the Celeb produces a soft, broad wraparound light quality
(CRI 95) and produces color faithfully, beautifully on HD or film, in the studio or on location.

The Celeb boasts technical innovations: dial-in white light from 2700 to 5500 Kelvin and presets with programmable settings;
full range dimming without flicker or color shift. Light levels do not change when selecting Kelvin settings.

see more at:

New sprinters

Look what we’re building this week! Thats right two brand spanking new sprinters.

Now Available 18k Arrimax W/ Maxmover


The original Academy Award-winning ARRIMAX remains the ultimate choice for productions requiring maximum light output. The 580 mm (22.83”) diameter, parabolic facetted reflector provides continuous focus adjustment from 15° to 50° beam angle and, since the ARRIMAX does not require a set of spread lenses, shadows are sharp and easily cut.

18,000W Single Ended lamps use a sturdier GX51 lamp base for which ARRI engineers have designed a special lampholder. This new lampholder alleviates mechanical stress from the lamp pins, which now serve only as an electrical connection. The lamp clamping mechanism is self-aligning and uses a rugged, recessed lamp lock handle. To ensure that crews can easily use 12,000 W lamps or versions of 18 K Single Ended lamps with G38 bases, the new lampholder accepts either lamp type with no modification or adjustment required.


The ARRI MaxMover, a new automated stirrup, offers remote pan, tilt and focus for large lighting fixtures. Most large fixtures in our inventory can be fitted to the MaxMover and mounted on boom arms, tall platforms, or in hard-to-reach positions.

A unique snap-in mounting system allows fixtures up to 176 lbs to be converted quickly for remote operation. A variable width adjustment feature allow for a variety of fixtures to be adapted to the MaxMover quickly on location, such as: 6K or12K PARs, 18/12K HMI Fresnel, T12 and T24 Fresnel, the 12 Light Maxi. And the ARRIMAX, of course

DEMO: Nila Varsa

The Varsa is a snappy little fixture that instantly brightens a room when you hit the power. Nila’s compact LED is equivalent to a 400w Joker or a 600w tungsten fixture, but draws only 75 watts. A set of holographic lenses allow you to spread the beam from 10 degrees up to 80 degrees (there is even a 10d x 60d lens!). A set of hard gels make color correcting quick and easy. It’s likability increases when you see how simple it is to run off of a battery. And to sweeten the deal, it has an on board dimmer, is DMX controllable and has a built in Chimera mount. Your chance to play with this light is happening NOW! Nila’s Varsa is on demo in the Portland showroom August 2nd through August 7th and in the Seattle showroom August 8th through 12th. Stop in any time! And be sure to browse Nila’s website for more photos, specs and products!


With the passing of Oregon’s Film/TV incentive increase, the OMPA annual golf classic is a great way to celebrate! And the day includes more than just golfing! The event takes place at the beautiful Resort at the Mountain in Welches Oregon. Not only is there a golf tournament, but a croquet tournament to boot. Following that is an awards ceremony featuring unbeatable raffle prizes, a silent and live auction, appetizers, beverages, ice cream (!), mini putt-putt golf, a bonfire and a lake. To top it off, the evening is headlined by blues superstar and B.B King 2013 Entertainer of the Year, Curtis Selgado! Everyone is invited (including the kids) and it promises to be quite a night! Funds raised at the event go toward scholarships for aspiring creative professionals. For more information go to!

So your kid wants to be a filmmaker?

You may try to persuade your kids that being an accountant is a practical career choice, but we all know that it isn’t nearly as much FUN as making a movie (sorry accountants of the world)!
Here are some Portland summer camps that can build their skills and inspire their creativity:
*NW Film Center
*Cinema Arts Camp
*Hollywood Theater
*Portland Community Media
And in Seattle:
*Seattle Film Institute
*The Film School

With hands on classes in computer animation, visual effects, documentaries, script writing, camera techniques and lighting (our favorite class, of course!), you can find something for ages 8 to 18!

Governor’s Annual Address: We were there, were you?

Governor Kitzhaber’s annual address to Oregon’s Film, TV and Media communities last week was an excellent re-cap of the success that Oregon had in 2012.  The largest crowd to date filled the 400 seats, stood along the walls and crouched in the aisles.  The audience was treated to a clip from Portlandia’s third season (introduced by Carrie Brownstein), as well as a clip from Redwood Highway (introduced by Gus Van Sant).  Film industries across the entire state were able to come to gether via live feed.  Mid Oregon Production Arts Network (MOPAN) in Eugene, Southern Oregon Film and Television (SOFaT) in Ashland and Eastern Oregon University in Le Grand were part of the annual review. 
The OR Film Office honored individuals from Clackamas County and the Portland Police department with Film Advocate Awards for their dedication to the film industry by going above and beyond to streamline and assist the various productions that come to Oregon. Leverage, and all those at Electric Entertainment, were thanked for four great years by planting four trees in neighborhoods in Portland. What a “Portland” way to say thanks, huh?  It was a successful review, reminding us that we are all working toward great things! 
Pacific Grip & Lighting promises to continue to help the community grow and thrive in all the ways we can.  My favorite course of action?   Buying locally!  Check out the video to learn about PGL’s relationship with Oregon vendor, ATI.

PG&L and Bend Oregon’s ATI from Oregon Film on Vimeo.

Growing in the New Year


Welcome to the New Year!  2012 was great, but we have a feeling that 2013 is going to be bigger, badder and better!  We are bursting with pride for the first-rate city we live in.  More times this year than any other, we heard about what a helpful, kind, resourceful, flexible, encouraging, fun and talented community Portland has, from people all over the country.  From New York to Philly to Los Angeles, envy for Stumptown is flourishing.   In 2012 , Portland helped to create three awesome TV shows, multiple indie features and commercials galore.  Darn straight we did.  And the strength of our community will allow us to build on our success and continue to grow and learn.  But, let’s not get too big for our britches, alright?  We don’t want to be *those guys* who stop practicing the basics.  Of course, Pacific Grip is here to help!  Watch to learn (or re-learn) how to fold a bag it. Yes, that is a skill!  Happy New Year!

“Leverage” ending means moving toward new beginnings!

From Vince Porter, Executive Director, Governor’s Office of Film and Television:

First I hope all of you are having a nice holiday break either here in Oregon or somewhere in a warmer climate. I wanted to take a quick second to update you on one or two things from the film office.

Friday night it was announced by TNT that “Leverage” will not be renewed for another season. There had been rumblings about this for a little while so it should come as no great surprise. I was contacted by Jose Behar late Friday to reiterate Electric’s commitment to Oregon and he even referred to other projects that they plan to immediately bring to Oregon. We have not finalized anything nor have they made any firm guarantees but their intent is to keep a presence here in Oregon. Had “Leverage” been renewed we had a deal in principal for the 6th season but it would have eaten up our available incentives into 2014. With this news we have a small amount of money in 2013 available and will look to lock that money up in the New Year with a project.

No matter what I do not see this as a setback. We continue to get a flood of calls about filming in Oreogn (thanks to some of you landing projects) and I’m sure we will always land work if we have the incentives to offer. There are even one or two projects out there that would be very high profile for our state if we could land them.

For that reason I want to stress the importance of our annual meeting on January 15. To some, the end of “Leverage” will be looked at as a reason to not move forward with the Governor’s plans for expansion. At the annual meeting my expectation is that the Governor will emphasize his commitment to expanding the incentives. In case you don’t already know his budget for the next budget cycle includes an expansion of OPIF. He will need the industry’s support and positive energy to make this a reality. The best way you can show your support in January is to show up to the meeting (with as many friends as possible). Remember that the 15th is just two weeks before the legislature opens its session so the timing is great.

The meeting will be one hour long and we’re working out details for a mixer after the event. I’ve booked Lincoln Hall at the PSU campus which means we have between 350-400 seats to fill. I hope you all can help me fill them and maybe some of you could bring a legislator or two! Here are the specifics of the night so far.

We hope to make a good event out of the meeting and have a few surprises planned. I hope to see all of you there.

Please pass on the annual meeting info to everyone you know as the event is open to the public.

Vince Porter
Executive Director
Governor’s Office of Film and Television
1001 SE Water Ave Suite 430
Portland, OR 97221
(503) 229-5832
http://oregonfilm. org/
vince@oregonfilm. org

Featured Rental Item: Eco Punch LED

Pacific Grip & Lighting is proud to announce the addition of four new LED lights into our rental family!  Aadyn Technology’s Eco Punch LED light is not the typical soft source LED you are used to seeing.  This puppy packs a Punch (yes, pun intended).  The output of this daylight balanced light is equivalent to a 2500w HMI.  You get all that brightness with no head feeder, no cumbersome ballast, no spare globe to keep track of, and all the while drawing less than 5 amps.  Yep, at 539 watts each, you can put all four of these on one 20A circuit.    The *bonus features* for this light are that it comes with built in lightning and strobe effects, no color shift while dimming, DMX compatiblity, no multiple shadows and quick change glassless lenses to go from flood to spot.  And don’t forget the *regular features* of low heat output and energy cost savings that make it friendly for your crew, talent and wallet.  And the coolest thing of all?  This LED light is designed, devoloped, engineered and assembled in the USA.  Hells yeah!

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Portland, OR
Seattle, WA